My brother, at that age, so wanted to believe
My parents, both alive, so wanted to give hope
When he asked, if heaven, was something like Butlins
My parents, both alive, so wanted to give hope
When he asked, if heaven, was something like Butlins
the new concrete: an online course in attentive poetics
The editors of The New Concrete: Visual Poetry in the 21st Century , Victoria Bean and Chris McCabe, will be leading an online course for The Poetry School , beginning on 15th September 2015. The New Concrete: Visual Poetry in the 21st Century (Hayward Publishing, 2015) One of the narratives of visual poetry since the 1950s is that the form has become one that can be taken up by any poet at some stage of their writing life. The concrete movement had such a strong impact that it's impossible not to write poetry and to consider, at some point, how these techniques might be put into practice in a particular poem or sequence. Edwin Morgan is significant here. His work is remarkable for its variety, dexterity and energy. I have always felt that his concrete poetry allowed him to get right down into the syllables, particles and phonemes of poetic language which he could later put to such effective use in his non-concrete work. Like an arachnophile coming back from year
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